Gh5 vs g85 video quality
I am choosing between the GX85 and G Mainly be using it for video — 4K 30, p The only thing that sets the two apart is that G85 has better ergonomics, weather sealed, full-swivel screen, better battery, a mic input. But that beng said all the differences are minor to me. Also I have heard that the GX85's p video comes out soft and muddy when compared to the G85 despite having the same specs.
This is a huge concern for me as I will plan to upscale the p footage to 4K. Would like to seek your opinion on this dilemma, especially the p video quality. I can't comment definitively on p, although I haven't noticed much difference between the quality on the GX85 Vs the G7 both of which I have and the G85 which I had, but had to return - defective used camera.
The quality of all of these cameras is high, but I mainly shoot 4k, not p. As far as I know, on basic specs, the G85 and GX85 are the same in key specs - 16mp, no anti-aliasing filter which I gather can lead to more risk of moire, although I haven't experienced itDual IS 2, and my experience is that I see little difference between footage I've shot with the G7, G85 or GX85 in 4k. It has Cinelike D and Cinelike V profiles which, while not Log profiles, give you the opportunity to do more with colour in post production.
Fully articulating screen - this is a godsend for video, and while the tilt screen of the GX85 is okay to work with, it's simply not as good as the G85 screen. Finally, if you intend to output in 4k, it doesn:'t seem to make sense to shoot in p and upscale if you have any of the above cameras. Even if your computer struggles with 4k, you can get around this with proxy files lower res files that you do the editing on and then swap in the full Res files before rendering.
I heard about that supposed lack of sharpness on the gx85 full HD video so I compared them side by side with the g85 : they're exactly the same. Seems logical after all When the GX85 came out I remember reading in this forum that its p was actually worse than some of the older MFT cameras, e. Some folks recommended shooting at 4K and then downsampling in post, since the in-camera algorithm didn't seem to be very well optimized for p.
If that's truly the case and I'm going from vague memory here you may be better off buying a gently-used GH2 or GH3. Will editing the photo styles, eg. Still cannot understand how the p quality will differ to the G85 when they have the exact same video specs.Out of the few details they released within the announcement, they would only confirm that this camera would shoot bit internally in both 24 and 30 frames per second.
Come on Panasonic, we want more! We were ripe with anticipation, salivating for the rest of the details. The GH5 is poised to be the camera that best fits every-day videographers — rich with options at a reasonable price. There are so many options on the GH5 that are not found on other cameras in its price range or class. Give me the details already! Panasonic offers a lot of value in the GH5. Outside of having a small sensor, the GH5 has more video shooting capabilities than most of the cameras out there, regardless of price.
It shoots bit DCI 4K at 24 or 20 frames per second, up to frames per second in HD and has shoot assists like a histogram, peaking and zebras.
G85 video quality?
On specs alone it has no peer in its class. We really like this lens. The build quality is good and feels stout; there are raised gears on the focus and zoom rings for easy grip and operation. The focal length is nice for walking around. Equating the 2x crop factor from a micro four-third sensor, its effective focal length is 24 to millimeters.
We liked its fast aperture when shooting wide, but wish it was 2. Instead, the aperture goes from f2. It offers two XLR inputs that are controlled by physical switches and knobs. On top of all that, it has a cold shoe mount… on the top.
Panasonic GH5 vs Sony A6500 – Which One Should You Buy?
Observations Panasonic did a good thing with the GH5. They added a bunch of features, but left the good bits from the GH4 alone. Other than having a slightly different black paint than the GH4, the form factor is almost identical. They moved the record button, added in a joystick for menu operation, doubled the number of SD card slots and, one of our favorite features, added a full size HDMI port.
I A nice improvement over the GH4 is the elimination of an additional sensor crop when shooting in 4K. The crop on the GH4 when shooting in 4K is 2. We first noticed this when shooting in frames per second. Data management should be on the mind when considering the GH5. That means every minute of video is 1. The GH5, like the GH4 does not have a record limit, so the files can get pretty large. It will fill a GB card in just over two hours minutes. There was no noticeable difference.
Now, when we captured 8-bit and compared it to bit, it was very easy to see the difference. The detail was better, giving a clearer picture and better color. That also made it more flexible when doing color correction.Both have proven popular over the years, albeit amongst different user bases.
While GH series has traditionally targeted professional videographers with its state-of-the-art video features, the G series can be classified as a portable budget solution for users with a developing interest in both stills and video.
Although they share a number of characteristics including a Micro Four Thirds sensor, 5-axis in-body stabilisation with Dual I. As always, should we get the chance to use them side-by-side at some point in the future, we will update this preview to a complete comparison! We were not asked to write anything about these cameras, nor were we provided any compensation of any kind. Within the article, there are affiliate links.
If you decide to buy something after clicking the link, we will receive a small commission. Thank you! Immediately noticeable is the difference is size and weight between the GH5 and G While the former weighs g with the battery and memory card, the latter is around g lighter and is also visibly smaller than its high-end sibling Of course, the extra surface area on the GH5 also allows for a few more external controls, such as an AF joystick to change the AF point on the fly, a Dual SD card slot, and additional customisable function buttons 20 vs.
The G85 does have one advantage, however, which is the built-in pop-up flash. To use flash on the GH5, you must buy one separately and attach it to the hot shoe. As for the LCD monitor, both are free-angle types with static touch control.
Coupled with this is the new Venus Engine 10 that promises better colour detail, contrast, dynamic range and high ISO performance.
The GH5, on the other hand, is the very first mirrorless camera to have 6K capabilities, not as a normal video format but rather for use with the following features:. Please note that all the video specifications mentioned in this section are based on the H. Another welcome addition to the GH5 is unlimited recording, while 30 minutes is the maximum on the G Finally, if you want audio, you will find a 3.
It is smaller than the YAGH interface and can be mounted on the hot-shoe. In our experience, it works well in all situations except those with fast moving subjects, birds in flight or difficult light conditions such as strong backlight.
The G85 features the first generation DFD system. It comes with 49 AF points, and can detect the contour of the subject every 6 frames. The speed of the sensor drive is fps. Whether there is a tangible difference between the two systems has yet to be seen, but given the specifications, there should certainly be some improvements.Maximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos.
Cameras with higher effective ISO will be better choices for indoor photography, night shooting, and indoor sports photography, especially if you intend to make large prints. For this reason, comparisons of one camera with an internal flash to another without will not be comparable. Very good image quality; Very good high ISO performance and dynamic range; Fast and accurate autofocus; Excellent 4K video recording quality and features.
Buffer is deep, but slow to clear; Expensive; Menus still confusing; No optical low-pass filter means greater risk of moire; No built-in flash. Leave Feedback.
Overview Specifications Image Quality. Go in depth with our full Panasonic G85 Review. How does it shoot? Panasonic G85 in the real world. See real-world photos taken with the G Compare Panasonic G85 image quality against competitors.
Read our Panasonic G85 conclusion. Go in depth with our full Panasonic GH5 Review. Panasonic GH5 in the real world. See real-world photos taken with the GH5. Compare Panasonic GH5 image quality against competitors. Read our Panasonic GH5 conclusion. Higher effective ISO.
Longer stills battery life. Common Strengths Focus peaking. Common Weaknesses NFC.To be able to actually capture images that match your expectations, you may have to navigate through the various menus of the camera and fiddle with color parameters, resolution settings, and whatnot long before you get it rolling.
First and foremost, Rhodes sets his record options to a custom preset that allows him to attain the most amount of image quality from his shots while keeping file sizes reasonable. For instance, he shoots p bit video at 24fps while recording at Mbps. To re-enable this feature, you will have to select an alternative Recording Quality setting, forcing you to film in 8-bit instead of bit.
For the former, he has the Contrast, Sharpness, and Saturation set to -5 whereas the V-Log L profile is usually kept at factory settings with all the parameters set to 0. When using his GH5, Rhodes tends to operate the camera on some sort of a stabilizing system. Do note, however, that operating in high ISOs will lead to increased noise and potential color shifting.Panasonic G9 Firmware - Is there still a reason to buy a GH5?
He does take advantage of Manual Focus Assistthough. When manually adjusting the focus ring, this feature aids by digitally magnifying the center of your image, helping you see whether or not your subject is actually in focus. For instance, he keeps Peaking and Zebras toggled on to help him identify areas of the frame that are overexposed. Occasionally, he also uses the grid lines alongside the center marker to frame his shots more precisely.
Even though Rhodes considers these settings to be the best in his use case, remember that you are still free to experiment with your own adjustments. Get Instant Access!There is also a new sensor, a new autofocus system and other features that will satisfy still shooters as well. We were not asked to write anything about these cameras, nor were we provided any compensation of any kind.
Within the article, there are affiliate links. If you decided to buy something after clicking the link, we will receive a small commission. Thank you! The GH4 has a 16MP sensor with a low-pass filter. Although the difference in resolution is not huge, as proven already with other 16MP and 20MP Micro Four Thirds camera, the extra 4MP and the lack of a low-pass filter should give a slight advantage to the GH5 when it comes to fine detail rendering.
The new Venus image processor of the GH5 can process data 1. It can detect the contour of the subject every 6 frames. The speed of the sensor drive during AF is fps. Of course we have yet to see how good it is. Similar to the one found on the Fujifilm X-T2, you can find four sets that can be customised with the following options:. Concerning the continuous shooting speed, both cameras shoot at a maximum of 12fps in Single-AF mode.
It relies on the O.
Panasonic GX85 vs G85 video quality
Dual IS 2 combines sensor and optical stabilisation for a total of 5 stops of compensation. What is also interesting is that these 5 stops are maintained up to mm with select lenses featuring Mega O.
A firmware update also implemented 4K Photo allowing the camera to shoot a 4K video burst at 30fps in H. The new GH5 can do 6K but only in certain conditions. Two firmware updates will implement better compression and bitrates. The possibility to record internally in bit means double the colour information and 64 times colour depth in comparison to the internal recording of the GH4. The only option that remains a 8-bit compression is 4K at 50 or 60fps.
The GH5 doubles that at fps. Please note that all the video specs mentioned in this chapter are based on the H standard. H applies to the 6K Photo and 4K Photo modes only. Currently the GH4 produces a sensor crop when recording 4K 2.
The 10 Main Differences Between the Panasonic GH5 and G85 (GH5 vs G80)
The GH5 gets rid of this which means you will be able to keep the native field of view of your Micro Four Thirds lenses. This paid upgrade will be available for the GH5 as well but if you already bought it for the GH4, you will be able to use the same key to unlock it. Another welcome addition is unlimited recording while the GH4 stops after 30 minutes note that this might not be true for every country however. If you want audio, you will find a 3.
It is definitely smaller than the YAGH interface previously introduced with the GH4 and can be mounted on the hot-shoe on top. The magnification also gets better at 0. Both cameras feature a robust magnesium alloy body and are dust-and-splash resistant.
The Rec button has been moved on top instead of the rear on the GH4.
You will also have the opportunity to customise the way you save each file to each slot. You will be able to record continuously from one to the other, back-up with the second slot or record simulatanoeuly on both that includes 4K 10bit video!
You will find many similarities concerning other features such as time-lapse and stop-motion but the GH5 gets additional features such as Focus Stacking. The price is worth listing in this top 10 list since the gap is significant. No need for external recorders connected to the HDMI port anymore. Only time and testing will tell.Well no, far from it.
The GH5 has built on the reputation of the GH4 as a solid hybrid stills and video camera. It has a steadily increasing popularity for both enthusiast and professional photographers. Panasonic is not the first camera manufacturer to release an S version, or even two different versions, of the same model.
At the dawn of pro-level digital SLRs, Canon released the 1D and then the high-resolution 1Ds and this dual release lasted for some years.
Here Panasonic follows suit with the GH5S aimed at videographers. The GH series has always appealed to photographers who shoot video, but the sway to video is even more apparent on this latest model. Starting at the top of the specifications list, the GH5S sees a considerable drop in sensor resolution, from This drop in resolution might seem strange, but this is exactly what Sony did with the Alpha 7S.
The quality from the 7S and successive releases since confirms that the lower pixel count offers a sweet spot for video quality. It has been a long-running argument, but then the consensus is that a balance needs to be struck between resolution and pixel size.
The change in the sensor from the GH5 to GH5S means that although the basics of the camera are very similar, the video and stills output from the two models is very different. Stills will be captured by the GH5S at half the resolution of the GH5 due to the drop in pixel count, but this drop should improve video performance and low light ability. These circuits deal separately with the low ISO and noise before the data is fed through the gain amplifier.
This results in high sensitivity noise being reduced. As the low light capability of the GH5S will see it being used in gloomier conditions that the GH5, Panasonic has the new camera an AF system that is 1-stop more sensitive. The GH5 already offers an impressive range, with Cinema 4K at 24fps frames per second. The new maximum frame rates for Cinema 4K is 60p, 4K is again 60p, and p leaps to p compared with p on the GH5.
The new features will undoubtedly please many pro videographers. One significant addition is the inclusion of V-Log L pre-installed. This image mode is favoured by pro videographers as it enables the capture of a more extensive dynamic range.
Up from 10 stops to Using the Panasonic GH5 to shoot a scene from Goodfellas. V-Log L is an essential for all creative videographers who are used to grading their footage in post-production. With the GH5S, the flash sync terminal can be used for Timecode syncing, and a coaxial cable for a BNC terminal will be included in the box. Once connected, the Timecode generator can then be used with further GH5S cameras or professional camcorders. Although this can be useful, it can at the same time be the complete and utter hindrance.
In some instances, you need the sensor to be rock-solid.